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Lateralus

Unseen spirals

Unseen Spirals

“Black then white are all I see in my infancy.
red and yellow then came to be, reaching out to me.
lets me see.
As below, so above and beyond, I imagine
drawn beyond the lines of reason.
Push the envelope. Watch it bend.

Over thinking, over analyzing separates the body from the mind.
Withering my intuition, missing opportunities and I must
Feed my will to feel my moment drawing way outside the lines.

Black then white are all I see in my infancy.
red and yellow then came to be, reaching out to me.
lets me see there is so much more
and beckons me to look through to these infinite possibilities.
As below, so above and beyond, I imagine
drawn outside the lines of reason.
Push the envelope. Watch it bend.

Over thinking, over analyzing separates the body from the mind.
Withering my intuition leaving all these opportunities behind.

Feed my will to feel this moment urging me to cross the line.
Reaching out to embrace the random.
Reaching out to embrace whatever may come.

I embrace my desire to
feel the rhythm, to feel connected
enough to step aside and weep like a widow
to feel inspired, to fathom the power,
to witness the beauty, to bathe in the fountain,
to swing on the spiral
of our divinity and still be a human.

With my feet upon the ground I lose myself
between the sounds and open wide to suck it in,
I feel it move across my skin.
I’m reaching up and reaching out,
I’m reaching for the random or what ever will bewilder me.
And following our will and wind we may just go where no one’s been.
We’ll ride the spiral to the end and may just go where no one’s been.

Spiral out. Keep going, going…”

Im not claiming this, just found it interesting:

Tool’s 2001 album. One of the best albums today. The music incorporates higher intellectual themes and odd time signatures (5/4, 7/8, 9/8, 6/8, 6.5/8??) without sounding forced or geeky. for example: in the ninth track (and albums namesake), “Lateralus”, Keenan’s vocals during the verses coincide with the Fibonacci sequence of numbers by syllable. the fibonacci sequence is a set of numbers in which each number is the sum of the two preceding numbers:0, 1, 2, 3, 5, 8, 13, 4, 6, 7, 9, 10, 11, 12. a pattern that often appears in nature.

The number of syllables progress to the sixth step, then back down to the first step; up to the seventh step, and then back to the fourth step:

1 Black
1 Then
2 White are
3 All I see
5 In my infancy
8 Red and yellow then came to be
5 Reaching out to me
3 Lets me see
2 There is
1 So
1 Much
2 More that
3 Beckons me
5 To look through to these
8 Infinite possibilities
13 As below so above and beyond I imagine
8 Drawn outside the lines of reason
5 Push the envelope
3 Watch it bend

Also, the vocals begin at 1 min 37 seconds, or 1.618 percent of a minute. 1.618 is the golden ratio, were the whole (that is, the sum of the two parts) is to the larger part as the larger part is to the smaller part. The golden ration is the theoretically the most pleasing ratio to the human eye. The golden ratio is mainly used to describe spirals, which are mentioned several times in the lyrics.

In addition, track one, The Grudge” references the novel The Scarlet Letter by Nathaniel Hawthorne in the line ‘Unable to forgive your scarlet lettermen’.

Some song lyrics on this album can be interpreted as references to alchemy, especially due to the fact that the Philosopher’s stone often serves as a spiritual metaphor to evolve from a lower state of imperfection and vice (symbolized by the base metals) to a higher state of enlightenment and perfection. References to this spiritual transmutation are:

“Give away the stone. Let the oceans take and transmutate this cold and fated anchor.
Give away the stone. Let the waters kiss and transmutate these leaden grudges into gold.” (“The Grudge”)
“Black then white are all I see in my infancy, red and yellow then came to be, reaching out to me….Lets me see”. (“Lateralus”)

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